Is it a comedy? Is it a drama? Really, each episode of Louie, Louis CK's intensely personal FX show, is more like an essay: a set of anecdotes, vignettes, stand-up routines andouttakes that add up to a reflection on what it means to be human. Death, war, divorce, masturbation, parenting, unrequited love no subject was beyond the reach or ambition of this stunning series that revolves around a character named Louie who, like the show's director, star, writer and editor, is a comedian and divorced single dad. Shot on a low budget, with Louis in charge of everything from scripting to buying equipment, Louie is something the standard TV production system makes nigh impossible: artisanal TV, a small-batch distillation of a single creator's mordant, achingly funny vision. Unlike any show current or past, Louie can swing in a scene from raunchy hilarity to holy-crap wisdom because what Louis CK ultimately is after is not laughs or tears but intensity. "To me the goal of comedy is to just laugh, which is a really high hearted thing, visceral connection and reaction," Louis CK told me earlier this year. "And any time I take laughs away on the show I have to replace it with something at least that high." By that measure, and all others, Louie is raising and reaching the artistic bar each and every week.
No one could have known that when a Tunisian fruit vendor set himself on fire in a public square, it would incite protests that would topple dictators and start a global wave of dissent. In 2011, protesters didn't just voice their complaints; they changed the world